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Description

A UCLA student film by Attila Domokos. A beautifully photographed New American Cinema cinepoem expressing the cycle of life and death between Nature and the Machine, as one inexorably gives way to the other, over and over again. "An impressionistic, well-made 'cinepoem', using as visual metaphors praying and planting hands and automobile graveyards." - Media & Methods [Source: Creative Film Society catalog, 1972]