“A frame of frames, a piece of pieces, a length of lengths. Standard gauge on substandard; narrower, yes, but longer. An ECU that’s an ELS. Disjecta membra; Hollywood anthologized. A kind of autobiography of its maker, a kind of history of the institution of whose shards it is composed, the commercial motion picture industry. A mutual interrogation between 35mm and 16mm, the gauge of Hollywood and the gauge of the amateur and independent.” [Source: Morgan Fisher]